Jess
Jess arrived at the studio with a clear brief: minimal structure, maximum movement. She wanted a gown that felt tactile, undone, and honest — something she could wear like a second skin, not like a costume. Her direction was emotionally led. Less about silhouette, more about energy.
Everything in Motion
We developed a strapless silk crepe base layered with pleated tulle. The form was clean but textural, light but weighted. Shot in crisp coastal light, every frame reflected the intention: unforced, expressive, and grounded in her rhythm. No veil. No spectacle. Just a gown that understood how she moved through the world — and responded in kind.
